These were the weapons that defined the battles they were in. High-quality sounds of this grade and caliber are an absolute necessity for sound design in a game, film, movie, or podcast that broaches the subject of World War II, and will work for anything to do about guns – crime, sports, war, and so on. We’ve included 10 different shots for each gun, and, depending on the weapon, we have also recorded single, burst and fully automatic firing. This allows for maximum versatility for fast workflows.
The sounds were captured on a hill-top near a forest; the natural outdoor reverb providing ultra-crisp and full tails. With our array of modern mics – including shotguns to omnidirectional mics in AB, XY, ORTF configurations plus Ambisonics and ORTF 3D spatial audio setups – we were able to capture every sound in their full, rich intensity.
Not only were the firing sounds included, but also all the mechanical sounds as well. We recorded everything from reloading/changing magazines, pickups to cocking actions, and dryfire. We even managed to capture bipod sounds when the gun had one.
