Film Labs 64 is a DCTL (DaVinci Color Transform Language) toolset designed to bring the look and feel of real film into your grading pipeline — without breaking your image.
It works directly inside DaVinci Resolve and gives you fully adjustable film emulations, customizable controls, and pro-level results… just by moving sliders.
The 5 Node Workflow:
→ Node 1 — Rec709 Conversion
Convert your footage using either CST, our included LUTs, or your preferred method.
Node 2 — Skin Control
Quick controls to fine-tune skin hue, saturation, and luminance without affecting the rest of the image.
Node 3 — Secondaries
Control everything: contrast, offset, saturation, white balance, and more — all from one place.
Node 4 — Look
Choose from 10 Film Stocks + Kodak and Fuji blends with Print Film emulations (2383 & 3513). Add highlight and shadow tints for extra style.
Node 5 — Texture
Dial in authentic grain, film density, bloom, halation effects, and a cinematic vignette.
Film Stocks Included:
- Kodak 5213
- Kodak 5207
- Kodak 5201
- Kodak Ektachrome
- Fuji 500T
- Fuji 250D
- Fuji 8532
- Fuji 8520
- Kodak 2383 Print Film
- Fuji 3513 Print Film
Easy to Use. Powerful by Design.
- Real film emulation without guesswork
- Instant pro results
- Built for speed and creativity
- Designed for Rec709 pipelines
Requirements:
- DaVinci Resolve Studio
- Basic Rec709 conversion on Node 1 (CST or LUT)
