What you will learn I give you basic knowledge of volume, light, shadow and airiness conveying. I’ll share my hatching technique with you.I explain what shape is. How to notice and feel shapes. How to stylise and depict shapes.I teach you to work with edges, to convey perspective and to focus viewer’s attention on points you need.We put the entire information together. We teach proportions. We learn step by step drawing and how to reduce your drawing time and amount of mistakes.We look into details of portrait pivot – skull. We draw together each bone of skull and the lay over muscles and fat pads.I explain shape, anatomy, structure, ways of portraying and hatching the shape.BASICSSHAPEANATOMYFACE PARTSEDGESENTIRE PORTRAIT
You can practice in classical format as well as in digitalFor digital drawing you need:For traditional drawing you need:I use procreate, but you can
use any soft you want
- Tools – pencil B6 are more
- similar to real watercolour pencilInstead of white background
- I prefer textured paper that
- makes my works atmosphericInstead of white
- background I prefer
- textured paper that
- makes my works
- atmosphericBlack watercolour pencil
- (I prefer Marco, Fatih, Faber-Castell)
Smooth paper
(none watercolour),
weight 150-220mg
- Box cutter for pencil
- sharpening Soft eraser or
- kneaded eraser
- I teach you to analyse references and how to build you portrait drawing process from construction to edges work.
- 2Course program13 Lessons6 Full portrait
- videoprocessDuration 4h13Unique content
- 2 times/monthDuration 6h
- Choose your plan Simple pricing for everyone BUY NOWINDEPENDENT$85Unlimited course
- accessUnique content
- 2 times/month BUY NOWINDIVIDUAL$220Unlimited course access Unique content
- 2 times/month All homework control in text format with pictures Answer to any question
MEET YOUR INSTRUCTORI’m Paul Vornicov. I do digital and traditional drawing. Hi there! I’m Paul Vornicov.
I do digital and traditional drawing.
My art allows me to travel and fulfill my dreams. But it hasn’t always been smooth. For more than 7 years, I made no progress in drawing. Thanks to a good eye, I was able to convey portrait likeness, but the works still didn’t look alive, voluminous, or captivating.
A rapid leap in the development of my portrait skills happened literally within a year and a half of self-study. I realized where to direct my attention in order to continue growing
